“Hey,” I told Rio, “that looks like the Las Vegas Airport. Pause the DVD for a sec.”
We were watching a video I stumbled across on eBay called Fly Fast! about Rare Bear, the iconic Reno Race plane that dominated the Valley of Speed for decades. It was being offered up by a seller in Sparks, Nevada for a minimum bid of $6.99 with free shipping.
Well within the don’t-need-to-ask-your-wife-first price range.
Rio stabbed at the controls and the image froze. We both leaned forward and peered at the TV screen. Darn if it didn’t look like the terminal at KLVS, the “little” Las Vegas just twenty miles up the road from our house.
And, as it turns out, it was. Because, and I totally didn’t know this, the Rare Bare came to our home town in August of 1989 to set a three kilometer Fédération Aéronautique Internationale (FAI)-sanctioned world speed record. The highly modified Grumman F8F Bearcat ripped a hole in the skies over our hometown airport at 528.33 miles per hour, making it the fastest piston-powered plane in the world, a speed record that still stands today, 27 years after it was set.
It really bothered me that I was learning about this from a six dollar and ninety-nine cent eBay find. Because I should have known. I should have known simply because I’m a local pilot, and a FAI world speed record holder myself. And I should have known because I lived in Las Vegas in 1989, and I hung out at the airport a lot.
Oh, but it gets worse.
I should have known because back in 1989 I was a journalist working the local paper, the Las Vegas Daily Optic. As a local pilot and newsman, how could I have been totally unaware of the biggest thing in aviation to happen in town since Lindbergh landed here in 1928?
Watching the video in my warm, cozy house, I began getting that odd sensation you get when you drink too much cold medicine. You know, like your head has become a helium balloon and is floating two feet above your shoulders on a string. How could this have happened on my watch, and I missed it? It was surreal.
And as the video went on, things got worse. There was footage of Rare Bear’s famous pilot, Lyle Shelton, signing copies of the Optic, which featured a front-page picture of his plane. So it’s not like the paper missed the event.
Where the heck was I when all of this was going on?
I searched my memory banks in vain. I simply had no recall whatsoever of the event. After the movie was over, I sat and mentally tried to reassemble my past life. First I double-checked with Deb on what year we were married.
Never a good idea.
Next, I counted forward on my fingers. Yeah. I was still with the paper when Rare Bare came to town. But to be sure, I dug around in my files and found a old and faded resume—was that typed on a typewriter??—and confirmed that my position at the paper wasn’t eliminated until the spring of the following year, when the publisher decided to cut staff to save money.
So I was there, on the job, when Rare Bare made its flight. So why didn’t I remember it?
“Maybe they dropped a wrench on your head,” Rio offered helpfully.
Or maybe I was on vacation. Out of state. Yeah. That might explain it. But there was no way to reassemble those kinds of details nearly three decades dead.
Or was there?
“I know how we can solve this mystery,” I told Rio. “Microfilm.”
“What the heck is microfilm?” asked Rio.
So I explained to him that microfilm is a way of archiving printed publications for long-term storage. Pages are laid out and photographed on 35mm-wide positive-image film. Months of newspapers can be condensed into a reel of film that will fit in your hand. I also told him about the sexier microfiche, index-card-sized sheets of plastic with microscopic magazine pages on them.
Then I was struck by a thought. Perhaps neither existed anymore.
“I guess it’s all done on computers nowadays,” I told Rio. Would old microfilm be scanned into computers? If not, were there still microfilm reading machines?
We went on an expedition to find out. The very next day, I picked Rio up from school and Lisa up from her office at the Community College (easy to do as Rio’s school is on the campus of the college) and we drove across town to New Mexico Highlands University, which was bedecked in purple banners and balloons for Homecoming. We found a parking spot on 8th Street a half block from the wide cascading stairs that lead up to the Donnelly Library—which itself was celebrating its 50th Anniversary.
The plan was to use the microfilm archives to see who took the photo—certainly it wasn’t me—and to see if my byline was missing from the days before and after the event, a clue that I wasn’t around. “What will you do if it turns out you took the picture?” asked Rio.
“Have a stroke,” I told him. There was no way I could have photographed an event like this and lost all memory of it.
On the second floor, in the heart of the periodicals, we found three microfilm machines and bank after bank of drawers holding film and fiche. Bank after bank of cabinets holding every paper but the one we were looking for.
Dejected, I turned around and spotted a small black cabinet standing all by itself on the opposite wall. The Las Vegas Daily Optic, on microfilm, from 1880 to last month.
I guess they still make microfilm, after all.
We searched through the drawers until we found the reel that contained August of 1989. We took the box out and pulled three chairs up in front of one of the microfilm readers.
Whereupon three very smart people couldn’t, to save our lives, figure out how to load the damn film into the stupid machine.
Lisa combed the library’s stacks and finally found an employee who figured out the machine we were trying to load was broken and took us to the “better one” in the government docs section.
Soon the past was whizzing past us, black and white, and grainy—the way the past is supposed to look. Spinning the dial on the machine, we watched the Friday TV Guide zip past. Then the supermarket insert. June 9th. I turned the dial farther to the right and the pages became a blur. I stopped at June 28th. Again I sped up the scan, and we closed in. August 10, 16, 18.
And there it was.
Monday. August 21, 1989. Lyle Shelton’s Rare Bare on the cover of the Las Vegas Daily Optic. Just like the copies we’d seen him signing on the video.
And under the photo, my byline.
I took the picture.
I was thunderstruck. It felt like someone had dropped a wrench on my head. I stared at the slightly fuzzy image, speechless. Even faced with proof positive I had been on the scene, I couldn’t recall a single thing about the event. We flipped through the paper in both directions. The Optic ran three articles on the speed record, one the week before, one the day of the attempt, and another the next day. And in the days leading up to the record, and in the days following, my byline littered the pages of the paper.
I wasn’t on vacation.
And to add insult to injury, the photo wasn’t really all that great. I worked at the paper as a photographer for about two-and-a-half years. I was good at it, bringing home more than a dozen New Mexico Press Association and Associated Press awards. In the time I was there, back in the days of fully manual cameras, no less, I took some amazing news photos.
I keenly remember many of these impressive images, but I guess time and distance have led me to believe that they were the norm. Reality slapped me in the face in the quiet university library. A little girl with a rabbit. Road construction. A little girl with a dog. Seriously? Where was the Pulitzer-class kick-butt photography I remembered? I yearned to show Rio at least one amazing image on the microfilm viewer, but I couldn’t find one to be proud of.
My days as a globetrotting photographer were more mundane than my grainy, black and white memory held it out to be.
I guess Rare Bear isn’t the only thing I’d forgotten.
Disclaimer: I can’t really recommend the movie Fly Fast! And that’s not because it has me questioning my sanity. It just isn’t that great of a movie. I’d only give it one quarter of one star on a five-star rating system.